A Docufiction about the twin realities of the Nominingue village in rural quebec, a poverty town turned vacation spot. where the older generation remembers the harsh conditions and poverty that afflicted them, while younger generations and tourist deal with ennui.

The device is simple and impactful: It opposes excerpts from Adolf Hitler's public speeches to images that show the reality contradicting his words. There is no narration, no verbal analysis, no contextual explanation. Just a montage.

Everything was fine in Camille’s life until his parents accidentally discovered his homosexuality. How will Claudine and Maxime react? Turnarounds, an inimitable sense of dialogue make this comedy the feeling of back to school. How easy it is to be tolerant when you are not involved yourself! Because when Claudine and Maxime, an open-minded couple, who even demonstrated for marriage for all, come across, by leafing through a celebrity newspaper, on a photo of their son in the company of a man, the sky plummets them. the head. Claudine, more benevolent, tries to reason with her husband, but he finds it difficult to digest the news. Each in turn, the mother and father will question themselves, question themselves, and try to face this revelation, which cannot alter the love they have for their child.

A man of of principle leads a double life: one for his mistress and one he takes home to his wife.

Sam is a screenwriter, good at sorting out other people's stories but unable to organize his own life. He loves women with passion and there are too many around him.

A tender story, in which Santa Claus helps to preserve a family. Dudu (David Lucas), a very naughty boy, makes a wish full of hope on Christmas Eve, seeking the reconciliation of his parents, Luciana (Carolina Kasting) and Roberto (Daniel Boaventura), who are determined to separate. Dudu looks for a Santa Claus in a store and insists that his order be fulfilled. However, the good old man, who in fact is Jonas (Reginaldo Farias), who lives making beaks to survive, at first does not take the boy very seriously, as he does not have a past of family joy, much less on Christmas Eve.

Derek Jarman's interpretation of the aria 'Depuis le jour' from the final act of Gustave Charpentier's opera Louise (1900) features Aimée Delamain as an aging opera singer taking her final bow and recalling a love affair from her youth. As the aria goes: 'Et je tremble délicieusement au souvenir charmant du premier jour d'amour! (And I tremble deliciously at the delightful memory of the first day of love!)' – Her reveries feature Tilda Swinton and Spencer Leigh wandering around the topiaries of Swinton's family garden and at various seaside locations. The film was made for Aria (1987), the portmanteau project of producer Don Boyd who invited ten directors to create short films set to operatic arias of their choice. The particular performance used in Depuis le jour is by esteemed African-American soprano Leontyne Price.

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暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。